Field notes
Notes from the work — performances, clinical experiments, and writing on the things we actually do here.
Outpatient addiction treatment for actors and performers — the audition grind, rejection, performance anxiety, and an identity built on being watched.
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For a lot of creative, ADHD brains, stimulants and alcohol felt like focus or an off-switch. Why self-medication backfires, and what dual-diagnosis care does.
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Whether insurance covers PHP and IOP outpatient rehab in Maryland — commercial plans, Maryland Medicaid, and how to find what you'll actually pay.
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What actually helps when someone you love is using and won't admit it — beyond ultimatums, guilt, and waiting for rock bottom.
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Perfectionism and control can run the same circuit as a substance — relief, then more. Why high-achievers burn out into using, and what helps.
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PHP, IOP, outpatient — what the levels of care actually mean, who each one is for, and how to tell which fits where you are right now.
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Relapse doesn't erase your progress or prove you can't recover. What it actually means, and the next move that matters more than the shame.
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High-functioning doesn't mean fine. Why the drinker who's holding it all together is often the last to get help — and what finally changes it.
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The flatness, the bad sleep, the irritability of early recovery aren't signs it's failing. What's actually happening, and why it passes.
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The intake, the groups, the awkwardness, the relief — what your first week of outpatient addiction treatment actually looks like.
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If generic rehab has always felt like it was built for someone else, you're not wrong. What treatment looks like when it's built around the creative mind.
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Outpatient addiction treatment that understands the working musician's life — touring, the bar economy, performance anxiety. PHP and IOP in Maryland.
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What art and music therapy actually are in addiction treatment — not a craft hour, but clinical work that reaches what talk therapy can't.
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You hold the job and hit the deadlines — and quietly need the substance to do it. Why 'high-functioning' delays help, and what actually works.
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Carl Jung's shadow — the parts of us we bury — and why turning toward them, instead of numbing them, is some of the realest work in addiction recovery.
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The fear that getting clean will flatten your art keeps many creative people from treatment. What's actually true about creativity and recovery.
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Our first sound bath landed harder than we expected. Why somatic and sound-based work are now a permanent part of our outpatient addiction recovery program.
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An open meditation and sound bath at Glass House — stilling the mind with sound, silence, and the space where they meet.
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Our admissions director and founder perform at the Kennedy Center — on music, recovery, and the artists behind Glass House.
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Carl Jung's shadow, the inner critic that builds cases against you, and what shadow work looks like inside addiction recovery.
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Bringing Jung's shadow, the unconscious, and depth psychology into real addiction treatment — a month built around it.
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This is glass house.
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